Dienstag, 28.06.2022
18:00 - 20:00 Uhr
Hörsaal 5, Campus Innrain, Innrain 52e, 6020 Innsbruck
Anmeldung ist nicht erforderlich
Eintritt / Kosten: Keine
Maria San Filippo
Maria San Filippo is a 2021-22 Fulbright U.S. Scholar in the Department of American Studies at Universität Innsbruck. She is Associate Professor of Visual and Media Arts at Emerson College and Editor of New Review of Film and Television Studies. She authored the Lambda Literary Award-winning The B Word: Bisexuality in Contemporary Film and Television (2013) and Provocauteurs and Provocations: Screening Sex in 21st Century Media (2021), both published by Indiana University Press.
This talk regards Jane Campion’s exemplary approach to crafting sex scenes in ways that confront gendered dynamics of power and (visual) pleasure, focusing on the trio of films Campion chose to make in the wake of receiving global acclaim for The Piano (1993). Viewing The Portrait of a Lady (1996), Holy Smoke! (1999), and In the Cut (2003) as an unofficial trilogy, considered within the entwined contexts of pre-/post-9/11 gender anxiety and surveillance culture and of feminist genre revisionism, I explore how these works encapsulate Campion’s singular approach to screening sex.
Comment:
Christian Quendler, Department of American Studies, University of Innsbruck
Moderation:
Cornelia Klecker, Department of American Studies, University of Innsbruck
CGI-Center Interdisziplinäre Geschlechterforschung Innsbruck, Universität Innsbruck